{"product_id":"borrowed-face-2-canvas-print","title":"Borrowed Face 2  — Canvas Print","description":"\u003cp\u003eIn In Borrowed Faces 2, Gregoire transforms the myth of celebrity into a fractured cathedral of longing, repetition, and emotional consumption. Using the endlessly reproduced image of Marilyn Monroe as both subject and material, the work examines how identity dissolves once it becomes public currency. Monroe’s face appears multiplied, interrupted, sliced, and reassembled not as portraiture, but as evidence of cultural hunger. The collage operates like a psychological mirror hall. Faces overlap faces; lips repeat like advertising slogans; beauty becomes both ornament and wound. The composition refuses stability. Horizontal ruptures slash across the surface like corrupted film frames or damaged memory reels, suggesting that the image itself is struggling to survive its own reproduction. Gregoire does not present Monroe as a singular woman, but as a collective hallucination manufactured by desire, nostalgia, and spectacle. Text fragments drift through the work like half-remembered prayers: “There is nothing more truly artistic…” and “…minds are those which love color…” borrowed language layered atop borrowed beauty. These quotations do not clarify the image; they complicate it. Meaning becomes fragmented, unstable, and emotionally charged. The viewer is forced to navigate between glamour and collapse, between devotion and consumption. The crimson border enclosing the composition acts almost like a theatrical curtain or reliquary frame, reinforcing the sense that the work exists between shrine and advertisement. Gold textures and floral motifs evoke luxury and decay simultaneously, recalling both Byzantine iconography and magazine culture. Gregoire collapses sacred and commercial imagery into one visual language, exposing how modern fame often functions as a form of worship. Within the evolving Gregoire canon, Borrowed Faces 2 continues the artist’s investigation into illusion, identity, and the emotional violence of visibility. The work asks a difficult question: when a face belongs to everyone, does it still belong to itself? Rather than offering an answer, Gregoire leaves the surface beautifully unresolved shimmering between homage and disappearance. , Gregoire transforms the myth of celebrity into a fractured cathedral of longing, repetition, and emotional consumption. Using the endlessly reproduced image of Marilyn Monroe as both subject and material, the work examines how identity dissolves once it becomes public currency. Monroe’s face appears multiplied, interrupted, sliced, and reassembled not as portraiture, but as evidence of cultural hunger. The collage operates like a psychological mirror hall. Faces overlap faces; lips repeat like advertising slogans; beauty becomes both ornament and wound. The composition refuses stability. Horizontal ruptures slash across the surface like corrupted film frames or damaged memory reels, suggesting that the image itself is struggling to survive its own reproduction. Gregoire does not present Monroe as a singular woman, but as a collective hallucination manufactured by desire, nostalgia, and spectacle. Text fragments drift through the work like half-remembered prayers: “There is nothing more truly artistic…” and “…minds are those which love color…” borrowed language layered atop borrowed beauty. These quotations do not clarify the image; they complicate it. Meaning becomes fragmented, unstable, and emotionally charged. The viewer is forced to navigate between glamour and collapse, between devotion and consumption. The crimson border enclosing the composition acts almost like a theatrical curtain or reliquary frame, reinforcing the sense that the work exists between shrine and advertisement. Gold textures and floral motifs evoke luxury and decay simultaneously, recalling both Byzantine iconography and magazine culture. Gregoire collapses sacred and commercial imagery into one visual language, exposing how modern fame often functions as a form of worship. Within the evolving Gregoire canon, Borrowed Faces 2 continues the artist’s investigation into illusion, identity, and the emotional violence of visibility. The work asks a difficult question: when a face belongs to everyone, does it still belong to itself? \u003cbr\u003e\u003cbr\u003eRather than offering an answer, Gregoire leaves the surface beautifully unresolved shimmering between homage and disappearance. \u003c\/p\u003e\n\u003ctable id=\"size-guide\" style=\"min-width: 360px;\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth style=\"padding: 10px;\"\u003e \u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003e16″ x 24″ (Vertical)\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003e18″ x 24″ (Vertical)\u003c\/th\u003e\n\u003cth style=\"color: #000000; font-weight: 500; text-align: left; font-size: 15px; padding: 10px;\"\u003e20\" x 24\" (Vertical)\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003eWidth, in\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e16.00\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e18.00\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e20.00\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003eHeight, in\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e24.00\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e24.00\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e24.00\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003eDepth, in\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e1.25\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e1.25\u003c\/td\u003e\n\u003ctd style=\"padding: 10px; color: #525252; font-size: 15px; border-top: 1px solid #ededed; word-break: break-word;\"\u003e1.25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Printify","offers":[{"title":"16″ x 24″ (Vertical) \/ 1.25\"","offer_id":54645412167985,"sku":"28707709083438442535","price":85.0,"currency_code":"USD","in_stock":true},{"title":"18″ x 24″ (Vertical) \/ 1.25\"","offer_id":54645412200753,"sku":"28079613049265019991","price":110.0,"currency_code":"USD","in_stock":true},{"title":"20\" x 24\" (Vertical) \/ 1.25\"","offer_id":54645412233521,"sku":"13738116033801660463","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/9525\/3553\/files\/16652485255761739219_2048.jpg?v=1781689129","url":"https:\/\/invincibletruthbygregoire.com\/products\/borrowed-face-2-canvas-print","provider":"Invincible Truth By Gregoire Marshall","version":"1.0","type":"link"}